Whether a professional colorist or a novice filmmaker, these free LUTs are perfect for giving your video footage a cinematic look.Ĭheck out the video below on how to use all of these free LUTs. With that, today we’ve listed some of the best free LUT downloads you can acquire. Why buy LUTs when there are some similarly great options available for free? However, and more recently, we’re not seeing LUTs dominate our social feeds, and I’d wager it’s because once you’ve found the LUT that works with your camera’s color science-and, in particular, the workflow and look you want-there’s no need to buy more LUTS.Īdditionally, I’d equally wager it’s because many outlets have given away their secret sauce for free. From 2016 to early 2020, if you were remotely interested in filmmaking, you would’ve likely been targeted ads to buy the latest LUT package that would emulate the look of your favorite film or filmmakers. I think it would be fair to say that the LUT boom is somewhat over. Make your footage more cinematic with these free color grading tools.
Still, because VSDC is a free video editor, there's no harm in giving it a try.These FREE LUTs are perfect for professional video editors. While VSDC has an abundance of third-party videos to get you up to speed, HitFilm offers a somewhat more approachable look and feel it's also loaded with features that VSDC lacks, such as 360-degree video editing, if that’s your jam. VSDC is not the most user-friendly editor, because it employs unfamiliar terminology and an unorthodox interface that requires a look through the instructions before you can figure it out. It's good for consumer audiences who are not fixated on more exotic features, like 360-degree editing, but just want to master the basics, like joining, cutting and editing clips adding transitions, special effects, and text and outputting the results to social networks. The free version of VSDC is a capable video editor for routine tasks.
While DaVinci Resolve was much slower, it doesn't compare with the other apps, because it needed more graphics horsepower than my test computer has in order to run more efficiently. On the 60-fps transcode test, VSDC lost by a hair to HitFilm, coming in at 4:52 as opposed to HitFilm's 4:45. iMovie was an equally fast 2:15, but we tested it on a MacBook Air (mid-2013) running macOS High Sierra with a 1.7-GHz Intel Core i7 processor with HD Graphics 5000 and 8GB of RAM. Among Windows programs, VSDC was the runner-up in the 30-fps contest, coming in at 3:20, about a minute slower than Shotcut (2:13).
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